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However, you could also make your own template by unfolding an envelope that you enjoy, and tracing on a piece of cardboard. Step 3. Place the envelope template on your paper. It is important to know what is the top and bottom of your template, otherwise you may have an upside down script for your envelope.
This template that I am using is a bit large, so I had to adjust. The script will be at an angle on the front of my envelope. I just made it work. Step 5. Score your envelope, but do not glue edges just yet. Step 6. Trace around your circle with a light pencil. Then cut out the circle. Step 7. Place your velum sheet over the circle cut out window. Step 9. I used scotch tape to close the two sides. Leave the top of your pocket open for now. Step I glued a Jane Austen silhouette die cut onto the back of my pocket, off center.
Next, find some sparkling tidbits that you have laying around. I had some sequins, so that is what I used. Pour a few sequins in your pocket, then close the top of the pocket with scotch tape. Secure an address tag over the window and decorate with a silhouette sticker. I hope you will try this and please send me some pictures of your Austen Mail. Pride and Prejudice , and my friend has taken that as the theme for the day. I have included a printable PDF file of the bookmarks here. Click on the link to open the page in your browser, then save it to your computer.
Once the sheets were printed, we laminated them using 3ml Thermal laminating paper. Alternately, you can use a clear sticky paper, such as contact paper or even clear packing tape, carefully applied. The bookmarks were then cut apart, punched with a hole at the top and threaded with a tassel. Ribbons, bows and other trims can also be added, creating a one of a kind, 3-dimensional work of art. Through her shop Austentation: Regency Accessories, she offers a large range of custom made hats, bonnets, reticules and Jane Austen related items. While there is some debate over the date of the original hatpin vs straight pin ,we do know that women have been using pins to secure veils, wimples, hats and bonnets for hundreds of years.
Until hatpin making in England was a cottage industry in which demand far exceeded supply. One solution was to import crafted pins from France.
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All pins were still handmade at this point, and remained so until when a machine was invented in the United States, which could mass-produce the pins. After this prices dropped considerably as machines made pins were crafted England and France, soon after. They remained as essential accessory until the age of flapper style bobs and cloche hats made them unnecessary. A look at the woman on the far right shows what appears to be a beaded hatpin stuck safely in place waiting for the next hat or bonnet. To make your pin, first add a bead cap, then line up your beads in your chosen order and end with a small bead or cap.
Once you have decided on your perfect combination, slide the beads down the pin and add some glue to the pin, where the beads will sit. Slide all but the last the bead back in place, being sure that each one is adhered. Add a small drop of glue to the bottom hole of the second to last bead, slide your final piece into place and allow the pin to dry.
Laura Boyle creates the hatpins available in the Jane Austen Centre shop as well as providing her customers with custom hatpins and supplies along with various other hats, bonnets, reticules and accessories from her shop Austentation: Regency Accessories. As many will attest, one of the delights of watching a Jane Austen film is the glory of the costuming.
Beavan, always noted for her impeccable historical designs, was rightfully nominated for both a BAFTA and an Oscar on this film. Ribbon is wrapped around the brim as well as being overlapped in front. Now fold the edge under and run a gathering stitch along the edge and pull it tight. Flatten the circle so that the gathered edge is tight in the middle and the rest flares out around it.
Tack this in place on top of the crossed ribbons. Trim ribbon edges to desired length. Fold your remaining fabric strip in thirds and place over the overlapped edge of the gathered fabric and ribbon. Make sure that the raw edges are tucked to the back and stitch this down, around the crown over the overlapped edge, using a hidden stitch.
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